THE PART-OVER

The PART –OVER concept

A Window on the World

Initiate by me, End of2005

One can speak about PART-OVER only if one refèrs with the principle of ALL-OVER set up in years 1950 at the USA and New York in particular: The principle is to cover all the Canvas of painting, signs, forms, colors, refer to the large artworks of the American painters as POLLOCK for example (if it was necessary to quote one of them)... and that, until in becoming the justification even of painting; I remember the remote courses of Visual arts, "to take possession of Space" was the first countersign .

Until the end of 2005, I could not conceive painting without this need, a thing however left me on a dissatisfaction: The painting to appear in my eyes needed something like a space around, the white wall any preference; without this space, it missed something of indefinable, so much so that much contemporary artists by rejecting the canvas, to express did not see more that the means of redefining this Space, till to make of them the unique subject of their own creation... ...

Then, are contemporary Artists only those which can invest a Space.

Space that one fills with profusion; Space that one strips; Space that one instigates etc...

My matter and my proposal is thus to make return this SpACE in the canvas and even giving him Sense – In a certain manner to enter the wall inner the creation --...

by contrasting effect and need for Rupture with All-over,

Thus is defined the PART-OVER:

a dynamic division of Painting and space

the wall penetrates the painting.

LABOR